![]() ![]() You could use the FX30 handheld, but it’s equally suited to mounting in a rig with lights, microphones and external monitors. The FX30 shares the same two-tone ‘cinema’ styling of the FX3, its advanced video capture features, its digital interface and external threaded mounting points. ![]() What distinguishes a cinema camera from a regular camera is a combination of design, interface and digital interfaces. Naturally it’s also compatible with the best Sony E-mount lenses, including a number designed for the smaller APS-C format. ![]() Its combination of professional video features and an affordable price tag make it pretty much unique. The Sony FX30 is a bit too video-focused to be considered as one of the best mirrorless cameras right now, but perhaps as one of the best hybrid cameras for mixed stills and video content creation and certainly as one of the best cameras for video for higher-end users. The Sony FX30 (left) is essentially an APS-C/Super 35mm version of the full-frame FX3. ![]()
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